Carnatic music is a vibrant musical tradition that has evolved, and is largely practiced, in Southern India and wherever else there is a significant diaspora of South Indians. A highly nuanced and tonally rich melodic music, its rhythmic aspect too is considerably complex. As much as it is rooted in tradition there is immense demand on the improvis...
Carnatic music is a vibrant musical tradition that has evolved, and is largely practiced, in Southern India and wherever else there is a significant diaspora of South Indians. A highly nuanced and tonally rich melodic music, its rhythmic aspect too is considerably complex. As much as it is rooted in tradition there is immense demand on the improvis...
Lec 01 - The Body of Music
6mLec 02 - Music everywhere finding the classical
6mLec 03 - Classical Music Art Music
6mLec 04 - Music through Melody & Music through Harmony
8mLec 05 - Musical Material A Hard Look
22mLec 06 - Musical material Mo2
36mLec 07 - Carnatic Music as Raga Music
18mLec 08 - Understanding Raga - Part I
28mLec 09 - Understanding Raga - Part II (Raga and Swara)
20mLec 10 - Understanding Raga - Part III A Glimpse into Gamaka (Ornamentation) and Phraseology
8mLec 11 - Swara in the Sanskrit Textual Tradition
15mLec 12 - Sruti in Sanskrit Textual tradition
13mLec 13 - Tambura
18mLec 14 - Gamaka I?
30mLec 15 - Gamaka II
28mLec 16 - Gamaka III
22mLec 17 - Gamaka IV
32mLec 18 - Raga and Phraseology?
25mLec 19 - Raga - some basic expectations
14mLec 20 - A string of Ragas and a teaser
22mLec 21 - Raga in the textual tradition
5mLec 22 - Classification of Ragas I
16mLec 23 - Classification of Ragas II
12mLec 24 - Mela system of classifying raga-s
12mLec 25 - Generating the 72 mela-s
15mLec 26 - Application of 72 mela
19mLec 27 - Katapayadi Naming the 72 melas
14mLec 28 - Vivadi I
15mLec 29 - Vivadi II
31mLec 30 - Raga - Circles and Triangles
26mLec 31 - Laya: temporal discipline in music.
14mLec 32 - Tala an Introduction to the Concept
23mLec 33 - More on Tala and laya
18mLec 34 - Aspects of Tala - I
28mLec 35 - Aspects of Tala - II
17mLec 36 - Aspects of Tala - III
24mLec 37 - Aspects of IV
24mLec 38 - Composition in Carnatic Music
11mLec 39 - an Introduction
13mLec 40 - Varnam and laya intricacies
27mLec 41 - Kriti the premier compositional form in Carnatic music
18mLec 42 -Kriti some basic features
18mLec 43 - Precursors to the Kriti
36mLec 44 - Bhakti and Carnatic Music: Metaphor, World view, and Yearning in Carnatic compositions.
52mLec 45 - Tanjavur and the Carnatic Trinity
52mLec 46 - Tyagaraja, the Vaggeyakara
19mLec 47 - Tyagaraja and His Many Moods -I
33mLec 48 - Tyagaraja and His Many Moods II
26mLec 49 - Muthuswami Dikshitar an overview
13mLec 50 - Muthuswami Dikshitar the Sanskrit Scholar and Advaitin
27mLec 51 - Muthuswami Dikshitar Some Other Aspects of his Work.
25mLec 52 - Syama Sastri
32mLec 53 - Tamil Composers before the trinity
25mLec 54 - Post trinity Composers
10mLec 55 - Swathi Tirunal - the Versatile Royal Composer
22mLec 56 - The Romance of Padam and Javali
21mLec 57 - Tillana
9mLec 58 - Improvisation in Carnatic Music - Alapana
24mLec 59 - ALAPANA : Style and Aesthetics
32mLec 60 - Neraval and Swaraprastara
20mLec 61 - TANAM
17mLec 63 - Accompaniment in Carnatic Music - The Violin
17mLec 62 - An exposition of Balagopala
1h 66 minLec 63 - Accompaniment in Carnatic Music - The Violin
17mLec 64 - Percussive Accompaniment - the Mridangam
26mLec 65 -Subsidiary Accompaniment - Interaction Among Accompanists
9mLec 66 - Perscussion MRIDANGAM
15mLec 67 - Percussion KANJIRA
8mLec 68 - Percussion Ghatam
11mLec 69 - Percussion Morsing
12mLec 70 - Percussion Korvai and Thani avartanam
31mLec 71 - The Typical Carnatic Concert And Ragam Tanam Pallavi RTP
47mPerforming arts, drama
47mDance & music
1h 96 minRaga-Concept and Presentation in Carnatic and Hindustani Music
1h 117 min