Indian folk artistry is uniquely recognized all over the world not only for richness of aesthetics but also as indicators of age-old habitual belief. They comprise of tacit knowledge that is protected by passing on through generations. Having said that one must also consider the folk artists as creative individuals with adequate freedom of expressi...
Indian folk artistry is uniquely recognized all over the world not only for richness of aesthetics but also as indicators of age-old habitual belief. They comprise of tacit knowledge that is protected by passing on through generations. Having said that one must also consider the folk artists as creative individuals with adequate freedom of expressi...
Changing Definition of Folk and Minor Art
16mTimelines and Regions: General Mapping
24mTraditional Roots: Elements and Principles
21mTimelessness: Primitive Connection
21mEvolution in Purpose: Ritualistic to Propagative
14mContemporary Practice
18mClassification and Connections: Traditional Roots
27mEarly Literary Resources
23mMythical Associations
27mIdea of Nationalism and Modernism in the Context of Folk Art-I & II
27mRelevance of the Art Practice
10mContextualization and Decontextualization
35mConcept of Communication for Social Purpose
29mAesthetic Perspective
31mSecularity and Religious Plurality
23mAn ethnographic?perspective on the study of Folk Art and Culture
39mAbout the Exponents who brought the culture under the Limelight
14mCommonality and Congruity in the Diverse Content of Art
25mSchool of Art in Madhubani Painting
33mArt as a Feminine Preserve vs the Male painters of Madhubani
33mYamapata, Pytkar and other art practice of Jharkhand
22mPatachitra of Bengal?
24mPatachitra of Odisha
42mContinuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 1
40mContinuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 2
46mContinuum of the Practice: Ancient Centres, Contemporary Scenario, Method and Material - 3
35mCase study - 1: Gond Art
13mCase study - 2: Bengal Patachitra
14mCase study - 3: Madhubani Paintings
16mCharacteristics of Contemporary Collection- Semiotic Analysis
34mCharacteristics of Contemporary Collection- Thematic and Iconic Analysis
46mCharacteristics of Contemporary Collection of Indian Folk and Minor Art
22mThematic Change in Contemporary Collection of Indian Folk and Minor Art
28mIndividual Expression in Contemporary Collection of Indian Folk and Minor Art
27mCultural Condition: Colonial and Postcolonial Bengal - Part I
28mCultural Condition: Colonial and Postcolonial Bengal - Part II
29mContextualizing Folk idiom - Part I
24mContextualizing Folk idiom - Part II
24mContextualizing Folk idiom - Part III
27mCoexistence and Collaborations with Mainstream Art
33mAlternative Context: Place of Folk Art in Contemporary Lifestyle
25mNeed of Paradigm Shift - I
41mNeed of Paradigm Shift - II
25mEndnote
19m